|
About the Authors: Craig Hamrick Michael Karol TV Tidbits.com content:
|
Sitcom
Queens: Eve Arden
Eve Arden Key
TV Programs: The Eve
Arden Show, as Liza Hammond, 1956-1957, 26 episodes, co-starring
Frances Bavier and Allyn Joslyn The Mothers-in-Law, as Eve Hubbard, 1967-1969, 56 episodes, co-starring Kaye Ballard, Herb Rudley, Roger C. Carmel, and Richard Deacon
Though Eve Arden didn't invent her caustic, best-friend-of-the-star movie persona, she certainly had a patent on it. The woman who would become one of movies’ and televisions’ best-loved wisecracking dames was born north of San Francisco and left school at 16 to join a stock company; apparently, performing had always been in her blood. More tidbits follow. (For much more, click on the book cover to Sitcom Queens, below.) By the late 1930s, after another small movie role, she hit the big time, appearing in Stage Door, a 1937 comedy/drama about a group of aspiring actresses living together in a New York boarding house. Slinking around, petting her pussycat and dropping lines like acid, Arden stole scenes from veterans like Ginger Rogers and Katharine Hepburn. Lucille Ball, who played similar types of roles, co-starred in the film, one of the few times she and Arden appeared together, though their careers would intersect many times. ">Stage Door set Arden’s film persona in stone: she played the role for the rest of her career, but she played it better than anyone else who came along. And beneath the humor she exuded a warmth that made her a favorite of 1940s and 1950s audiences. She one-upped Groucho Marx in At the Circus (1939) and was hysterical as a helpful Russian sharpshooter in the war comedy The Doughgirls (1944). Perhaps her best
known role from this period is as Joan Crawford’s steely but loyal best
friend in the classic Mildred Pierce (1945), for which Arden won
an Oscar nomination as best Supporting Actress. She also began working
in radio, where her quick wit and sardonic tone were a plus. In 1948,
she started the show with which she would become best associated, Our
Miss Brooks, playing a sweet-natured but practical English teacher,
Connie Brooks (Lucille Ball had been offered the role, but turned it down,
recommending her friend Arden).
When CBS moved the show to television in 1952, Arden of course went along, and had a merry four years, winning an Emmy in 1953 and being nominated each year thereafter. The show was so popular that a 1956 feature film was made based on the characters. In 1955 Eve made
a cameo in friend Lucille Ball’s TV series I Love Lucy. (Ironically,
playing herself, Vivian Vance as Ethel Mertz is star struck when she realizes
she’s touched Arden; in real life, Eve and Viv co-starred on Broadway
a decade earlier in Let’s Face It.)
Arden continued in
films straight through the early 1950s, then appeared sporadically in
movies while she made a name for herself on TV. She gave one of her best
screen performances in the 1959 classic Anatomy of a Murder, as
James Stewart’s secretary. By then, Miss Brooks was a memory, and she
had tried her own self-titled show in 1957. Playing a widowed mom with
two daughters, Arden got another Emmy nomination, but the show only lasted
a year.
After that, with the exception of a two-year stretch playing opposite Kaye Ballard in the minor hit The Mothers-in-Law, Arden guest-starred on TV, made TV movies, and did the occasional film. Her return to the screen in 1978 as the principal in the mega-hit Grease was a perfect fit, proving that, if anything, the actress had gotten better with age; it gained her a legion of brand-new fans. Eve retired in the early 1980s after a cameo in one final film comedy (Pandemonium, 1982), and wrote her autobiography, The Three Phases of Eve, in 1985. She died in 1990 after several years of heart problems.
|